20 SENTENCES

1. Flash photography, outdoors at night, can produce very underexposed photographs if not taken properly.
2. Darken the room and position your subject against a black background.
3. Allow enough background area for the number of different exposures you intend to make.
4. Set up the electronic flash lights so the minimum amount of illuminationfalls on the background itself.
5. Turn off all room lights and make your first exposure.
6. Action of any kind, no matter how slight, can add interest to most pictures.
7. Outdoors, flash does not carry very far; therefore, it can be difficult to light objects from a distance
8. At night a single on-camera flash produces stark lighting
9. subjects such as these benefit by being isolated from the background, but you may get more interesting lighting by using the unit off camera on an extension cord.
10. If the necessary flash-to-camera distance is greater than the length of your extension cord, use the open-flash method.
11. Each and every time you pick up a magazine, book, or newspaper or watch TV or see a movie, you are exposed to various composition and lighting techniques
12. Most modern flashes have the ability to shoot multiple times and at different power settings
13. The camera can not know everything you do — it does not record what filters are on the lens, or fireworks that go off during the shot — or flashes that you set off on your own
14. These multiples were done with a small flash unit during a single long camera exposure, but it is also possible to take multiple exposures with some digital cameras.
15. Whether using available light or flash photography, notice what results the direction, intensity, and type of light have on your final product.
16. . To compensate for the light lost, you must open up your aperture when photographing objects at any distance
17. If not using a ground glass camera, make a pencil sketch to help you position the subject
18. Action of any kind, no matter how slight, can add interest to most pictures.
19. each type of action requires a different camera technique, but because of the short duration of light from electronic flash
20. Ghost images can occur when existing light and a slow shutter speed are used in conjunction with electronic flash

I like Skoglunds work because it the creatures always goes with the picture and the color. It seems like the animals are actually suppose  to be there and not edited on. I like it because she always uses 2 completely different colors that some how go together . I like how she always uses animals or some type of creatures too.

1. Coastal areas are great places to capture motion blur

2.playground shots because there is a lot of equipment swings slides etc

3. you can position the camera on or off equipment to get different types of effects

4.if you’re going to experiment with taking photos of bikes try slow sync flash

5. taking pictures of birds is good too the key is to chose a shutter speed that is slow enough to get a wing moving but the rest of the bird sharp

I like Kandinskys work because it seems like a bunch of shapes put on random but some how it works really well. It looks like it’s planned yet at randon at the same time. He also uses a lot of different colors that it look nice. The colors he uses don’t clash but workout together really well.